Does the thought of working in a television, radio, or movie studio excite you? Do you enjoy working with electronics? Are you skilled with your hands? Then a career as a broadcast and sound engineering technician may be right for you.

Nature of the Work

Broadcast and sound engineering technicians set up, operate, and maintain a wide variety of electrical and electronic equipment involved in almost any radio or television broadcast, concert, play, musical recording, television show, or movie. With such a range of work, there are many specialized occupations within the field.

In short, broadcast technicians set up, operate, and maintain equipment that regulates the signal strength, clarity, and range of sounds and colors of radio or television broadcasts. They also
operate control panels to select the source of the material.

Technicians may switch from one camera or studio to another, from film to live programming, or from network to local programming. Sound engineering technicians operate machines and equipment to record, synchronize, mix, or reproduce music, voices, or sound effects in recording studios, sporting arenas, theater productions, or movie and video productions.

Technicians also work in program production. Recording
engineers operate and maintain video and sound recording
equipment. They may operate equipment designed to produce
special effects, such as the illusions of a bolt of lightning or a police siren. Sound mixers or rerecording mixers produce the
soundtrack of a movie or television program, including the “dubbing” or inserting of sounds into a soundtrack.

The transition to digital recording, editing, and broadcasting
has greatly changed the work of broadcast and sound engineering technicians. Software on desktop computers has replaced specialized electronic equipment in many recording and editing functions. Most radio and television stations have replaced video and audio tapes with computer hard drives and other computer data storage systems. Computer networks linked to the specialized equipment dominate modern broadcasting. This transition has forced technicians to learn computer networking and software skills. 


Working Conditions

Broadcast and sound engineering technicians generally work indoors in pleasant surroundings. However, those who broadcast news and other programs from locations outside the studio may work outdoors in all types of weather.

Technicians doing maintenance may climb poles or antenna
towers, while those setting up equipment do heavy lifting.
Technicians at large stations and the networks usually work
a 40-hour week under great pressure to meet broadcast deadlines, and may occasionally work overtime. Technicians at
small stations routinely work more than 40 hours a week.
Evening, weekend, and holiday work is usual, because most
stations are on the air 18 to 24 hours a day, 7 days a week.

Even though a technician may not be on duty when the station is
broadcasting, some technicians may be on call during nonwork
hours; that is, they must handle any problems that occur when
they are on call. Those who work on motion pictures may be on a tight schedule and may work long hours to meet contractual deadlines.

Television stations employ, on average, many more technicians than do radio stations. Some technicians are employed in other industries, producing employee communications, sales, and training programs. Technician jobs in television are located in virtually all cities, whereas jobs in radio also are found in many small towns.

The highest paying and most specialized jobs are concentrated
in New York City, Los Angeles, Chicago, and Washington, DC — the originating centers for most network or news programs. Motion picture production jobs are concentrated in Los Angeles and New York City.


Training and Other Qualifications

The best way to prepare for a broadcast and sound engineering
technician job is to obtain technical school, community college,
or college training in electronics, computer networking, or
broadcast technology. In the motion picture industry, people
are hired as apprentice editorial assistants and work their way
up to more skilled jobs. Employers in the motion picture industry
usually hire experienced freelance technicians on a picture-by-
picture basis. Reputation and determination are important
in getting jobs.

Beginners learn skills on the job from experienced technicians
and supervisors. They often begin their careers in small
stations and, once experienced, move on to larger ones. Large
stations usually hire only technicians with experience.

Audio and video equipment technicians generally need a
high school diploma. Many recent entrants have a community
college degree or various other forms of postsecondary degrees,
although that is not always a requirement. They may substitute
on-the-job training for formal education requirements. Working
in a studio, as an assistant, is a great way of gaining experience and knowledge.

Broadcast and sound engineering technicians and radio
operators must have manual dexterity and an aptitude for working with electrical, electronic, and mechanical systems and
equipment.


Job Outlook

People seeking entry-level jobs as technicians in broadcasting
are expected to face strong competition in major metropolitan
areas, where pay generally is higher and the number of qualified
jobseekers typically exceeds the number of openings. There,
stations seek highly experienced personnel. Prospects for entry-
level positions usually are better in small cities and towns
for beginners with appropriate training.

In time, experienced technicians can become supervisory technicians or chief engineers. A college degree in engineering is needed in order to become chief engineer at a large television station.

Overall employment of broadcast and sound engineering technicians is expected to about as fast as the average for all occupations through the year 2012. Job growth in radio and television broadcasting will be limited by consolidation of ownership of radio and television stations, and by laborsaving technical advances such as computer-controlled programming and remotely controlled transmitters.

Employment of broadcast and sound engineering technicians
in the cable and pay television portion of the broadcasting
industry should grow as the range of services is expanded
to provide, such products as cable Internet access and video-on-
demand. Employment of these workers in the motion picture
industry will grow rapidly. However, job prospects are
expected to remain competitive because of the large number of
people who are attracted by the glamour of working in motion
pictures.

In addition to employment growth, job openings also will
result from the need to replace experienced technicians who
leave this field. Some of these workers leave for other jobs that
require knowledge of electronics, such as computer repairer or
industrial machinery repairer.

Earnings

Television stations usually pay higher salaries than do radio
stations; commercial broadcasting usually pays more than public
broadcasting; and stations in large markets pay more than
those in small markets.

Median annual earnings of broadcast and sound engineering technicians in 2002 were $36,970. The middle 50 percent earned between $24,330 and $57,350. The lowest 10 percent earned less than $18,540, and the highest 10 percent earned more than $82,510.

Related Occupations

Broadcast and sound engineering technicians need the electronics training necessary to operate technical equipment, and they generally complete specialized postsecondary programs.

Occupations with similar characteristics include engineering technicians, science technicians, and electrical and electronics installers and repairers. Broadcast and sound engineering technicians also may operate computer networks, as do computer support specialists and systems administrators. Broadcast technicians on some live radio and television programs are responsible for screening incoming calls, similar to the work of communications equipment operators.

 

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